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New photography by Shannon Ruff captured with a digital camera-2007.
Wept of Wish-ton-Wish
New photography by Shannon Ruff captured with a digital camera-2007.
New photography by Shannon Ruff captured with a digital camera-2007.

Wept of Wish-ton-Wish

Artist Joseph Mozier (American, 1812-1890)
CultureAmerican
Datemodeled ca. 1857–58, remodeled 1864, carved 1866
MediumMarble
DimensionsOverall: 51 5/8 x 20 1/8 x 16 7/8 in. (131.1 x 51.1 x 42.9 cm)
Credit LineGift of James H. Ricau and Museum purchase
Object number86.494
On View
Not on view
DescriptionMarble standing figure of young girl.

Label TextJoseph Mozier American (1812-1870) The Wept of Wish-ton-Wish, modeled ca. 1857-58, remodeled 1864, carved 1866 Marble Gift of James H. Ricau and Museum purchase 86.494 The Wept of Wish-ton-Wish was Joseph Mozier's most famous sculpture. The work takes its theme from James Fenimore Cooper's novel of the same title and depicts the book's heroine, Ruth Heathcote. Set in a seventeenth-century Connecticut frontier town called Wish-ton-Wish, the novel tells how the young Ruth was abducted from the village by Narragansett Indians and raised by the tribe. In time she embraced Indian culture. When Ruth's white relatives found her many years later and tried to reestablish ties, their plan ended in tragedy. Ruth's Indian husband was killed, and Ruth herself died heartbroken soon after. In death she became known as "the Wept of Wish-ton-Wish," a mournful nickname that alludes to the tears her mother shed after her abduction. Mozier's Wept of Wish-ton-Wish is a prime example of the theme of the "willing captive"-the white woman who, kidnapped by Indians, is so impressed by the naturalness and nobility of Indian life that she refuses to return to civilization. The subject is treated also in Chauncey Bradley Ives' The Willing Captive, on view nearby. Exhibition History"The Ricau Collection," The Chrysler Museum, Norfolk, Va., February 26 - April 23, 1989. Published ReferencesH. Nichols B. Clark, "Pairs of sculptures collected by James Ricau," THE MAGAZINE ANTIQUES, November 1997, 700-705.
Image scanned from a transparency and color-corrected by Ed Pollard-2008.
Joseph Mozier
modeled ca. 1857, carved 1868
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Joseph Mozier
1855
New photography by Ed Pollard captured with a digital camera-2008.
Joseph Mozier
19th century
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Joseph Mozier
1869
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2017.
Joseph Mozier
1870s
New photography by Shannon Ruff captured with a digital camera-2007.
Joseph Mozier
modeled ca. 1854, carved 1855
New photography by Ed Pollard captured with a digital camera-2008.
Chauncey Bradley Ives
modeled ca. 1862-68, carved 1871
New photography by Ed Pollard captured with a digital camera-2008.
Larkin Goldsmith Mead
modeled ca. 1863-65, carved 1865-66
New photography by Shannon Ruff captured with a digital camera-2007.
Emma Stebbins
modeled ca. 1865-66, carved 1870
New photography by Ed Pollard captured with a digital camera-2008.
Thomas Crawford
1855
New photography by Shannon Ruff captured with a digital camera-2008.
John McNamee
No Date
New photography by Shannon Ruff captured with a digital camera-2007.
Erasmus Dow Palmer
1869