Abstraction
Artist
Blanche Lazzell
(American, 1878-1956)
CultureAmerican
Date1924
MediumGouache on paper
DimensionsOverall, Frame: 18 3/8 x 15 3/8 in. (46.7 x 39.1 cm)
Overall: 12 3/4 x 9 1/2 in. (32.4 x 24.1 cm)
Overall: 12 3/4 x 9 1/2 in. (32.4 x 24.1 cm)
InscribedSigned and dated lower right: Blanche Lazzell, 1924
Credit LineMuseum purchase
Object number82.44
Collections
On View
Not on viewLabel TextBlanche Lazzell American, 1878–1956 Abstraction, 1924 Gouache on paper The American artist Blanche Lazzell perfected her Cubist style in 1923–24 in Paris, where she studied with leading French Cubists André Lhote and Albert Gleizes. Painted during that formative period, Abstraction offers a spare, tightly ordered arrangement of architectural elements: a doorway, stairs, and a patterned rug. The ease and fluency of abstract compositions like this one drew students to Lazzell in later years, when she worked and taught at the artist colony in Provincetown, Massachusetts. Museum purchase 82.44 ProvenanceWarren Cresswell, New York; Christie's, Manson & Woods, International, New York, Lot 120, Sale no. 5125, April 7, 1982; The Chrysler Museum at Norfolk purchase, 1982. Exhibition History"Behind the Seen: The Chrysler's Hidden Museum," Large Changing Gallery, Chrysler Museum of Art, Norfolk, Va., October 21, 2005 - February 19, 2006. "Women of the Chrysler: a 400-Year Celebration of the Arts," Large Changing Gallery, Chrysler Museum of Art, Norfolk, Va., March 24 - July 18, 2010. "Collection Conversations: Fractured Lens: Picasso, Braque, and Cubism’s Influence," Chrysler Museum of Art, Norfolk, VA, October 14, 2014 - February 22, 2015.Published ReferencesMartha N. Hagood and Jefferson C. Harrison, _American Art at the Chrysler Museum: Selected Paintings, Sculpture, and Drawings_ (Norfolk, Va.: Chrysler Museum of Art, 2005), 165, no. 103. ISBN: 0-940744-71-6