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4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2020.
Saturday Night Special (I Seen it on T.V.)
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2020.
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2020.

Saturday Night Special (I Seen it on T.V.)

Artist Robert Colescott (American, 1925-2009)
CultureAmerican
DateMay 1988
MediumAcrylic on canvas
DimensionsOverall: 84 x 72 in. (213.4 x 182.9 cm)
InscribedSigned in the lower right corner on the face: R. Colescott 88; On the verso it is signed: Saturday Night Special (I Seen it on TV) c Robert Colescott/ May 1988/ acrylic.;
Credit LineGift of the family of Joel B. Cooper, in memory of Mary and Dudley Cooper
Object number2002.26.5
Not on view
DescriptionThis is an acrylic on canvas painting. It depicts an evening interior scene: in the middle ground a blindfolded Caucasian woman, drinking out of a soda bottle, and boy are sitting on a yellow couch watching a television program, with their backs to the viewer. The television program shows an African American woman being held up by a white gunman. A second story occurs in the foreground. A scantily-clothed African American woman hides a gun behind her back as she confronts her husband with a white woman sitting on his lap. In the upper left, directly above the husband's head, the artist reveals the man's thoughts by adding two skeletons mimicing the husband and mistress with bullet holes through their heads, and two graves in the background.

Label TextRobert Colescott American, 1925–2009 Saturday Night Special (I Seen it on T.V.), May 1988 Acrylic on canvas In his cartoonish style, Robert Colescott painted two related scenes. In the upper scene, a woman and boy sit on a couch watching a show in which a gunman holds a nearly naked woman at gunpoint. The woman on the sofa is blindfolded and drinking, oblivious to the sex and violence the boy is watching. Both of them, however, are unaware of the violence taking place behind them. A naked woman hiding a gun enters the scene, where she confronts a man with another woman on his lap. The skeletons, both with bullet holes in their skulls, tell us what happens next. The satirical painting offers a pointed commentary about violence and society: what’s playing out in the fantasyland of T.V. might be taking place right behind you. Gift of the family of Joel B. Cooper, in memory of Mary and Dudley Cooper 2002.26.5 ProvenancePhyllis Kind Gallery, New York, Ny., 1989; Joel B. Cooper, Norfolk, Va., 1989-2002; Gift in memory of Mary and Dudley Cooper from the family of Joel B. Cooper to Chrysler Museum of Art, 2002. Exhibition History"Robert Colescott: Recent Paintings," Phyllis Kind Gallery, New York, Ny., February 11- March 9, 1989. "The Bold 1980s: A Collector's Vision," Chrysler Museum of Art, Norfolk, Va., March 19 - October, 2003.
Photograph by Ed Pollard, Hasselblad H4D50 - 2019.
Robert Colescott
1982
Photograph by Ed Pollard, Canon EOS-1Ds Mark II digital slr-2009.
Unknown
Late Dynasty 5-early Dynasty 6, reigns of Unas or Pepy I, 2375-2287 B.C.E.
New photography by Shannon Ruff captured with a digital camera-2007.
John E. Costigan
1940-1941
Image scanned and color-corrected by Pat Cagney.
Carlo Tagliapietra
ca. 1730
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Alexander Brooks (A.B.) Jackson
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4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2009.
John George Brown
1879
Image scanned/or photographed from transparency and color corrected by Pat Cagney.
William Matthew Prior
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New photography by Shannon Ruff captured with a digital camera-2008.
ca. 1965
Photographed by Scott Wolff.  Scanned from a slide.  Color corrected by Pat Cagney.
Tompkins Harrison Matteson
1855