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4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2009.
Diana and Callisto
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2009.
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2009.

Diana and Callisto

Artist David Wilkie (Scottish, 1785-1841)
CultureEnglish
Date1803
MediumOil on canvas
DimensionsOverall: 25 1/4 x 30 1/4 in. (64.1 x 76.8 cm)
Overall, Frame: 31 1/4 x 37 1/4 in. (79.4 x 94.6 cm)
Credit LineGift of Walter P. Chrysler, Jr.
Object number71.2081
Not on view
DescriptionThis is an oil painting on canvas. The scene is from Greek mythology. Diana in unfurling red holds the center stage as she banishes the nymph Callisto from her camp for having become pregnant by Zeus (although Zeus was in disguise). Four other nymphs surround Diana in various postures of shock and surprise. Two grab at Callisto's garments as if to hold her back as she progresses into the shadows at the left. Cupid also with his back to Diana appears to be departing with her.

Label TextSir David Wilkie English, 1785-1841 Diana and Callisto, 1803 Oil on canvas Gift of Walter P. Chrysler, Jr. 71.2081 According to ancient Roman mythology, the beautiful nymph Callisto was a devotee of Diana, the virgin goddess of the moon and the hunt. Seduced by the god Jupiter in the forest, Callisto returned to Diana's camp and was discovered by her to be pregnant. Enraged at Callisto's transgression, Diana drove her away. This dramatic moment of banishment is the subject of David Wilkie's painting here. Diana and Callisto was painted at the beginning of Wilkie's career, when the nineteen-year-old artist was still a student at the Trustees' Academy in Edinburgh and was working to master its traditional teaching regimen, which ranked "historical" subjects drawn from the Bible and classical mythology far more highly than mere portraiture, landscape, and scenes of daily life. In 1803 the contest subject for the Academy's yearly competition for the best history painting was Diana and Callisto. Wilkie submitted the present painting and, with it, won the first prize of nine pounds. ProvenanceCollection of the artist until his death in 1841; Christie's, Wilkie estate sale, April 25-30, 1842 (cat.no. 623); Collection of Philip Eberle (Hesse-Darmstadt, 1842 - Liverpool, 1906), Liverpool (actually at his home, "Belle Vue," in Blundellsands, probably a Liverpool suburb); probably auctioned at the Hanover Galleries, Liverpool, at an unknown date; Walter P. Chrysler, Jr.; Gift of Walter P. Chrysler, Jr. to the Chrysler Museum, 1971. Exhibition History"Sir David Wilkie of Scotland (1785-1841)," Yale Center for British Art, New Haven, CT, North Carolina Museum of Art, Raleigh, NC, Jan. 20 - May 31, 1987. (Exhib. cat. no. 1). "Reopening of the Joan P. Brock Galleries," Chrysler Museum of Art, Norfolk, Va., Opening in March of 2008. Published ReferencesAllan Cunningham. _Sir David Wilkie_. Volumes I-III. London. 1843: vol. I, p. 44. David and Francina Irwin. _Scottish Painters at Home and Abroad, 1700-1900_. London: Faber and Faber. 1975: p. 96. Exhibit organized by William J. Chiego; catalogue by H.A.D. Miles and David Blayney Brown. _Sir David Wilkie of Scotland (1785-1841)_. Raleigh: North Carolina Museum of Art. 1987. No.1. Lindsay Errington. _David Wilkie 1785-1841_. From the series Scottish Masters, no. 10. Edinburgh: National Galleries of Scotland. 1988:pp. 4-5, fig. 1. Jefferson C. Harrison. _The Chrysler Museum Handbook of the European and American Collections: Selected Paintings, Sculpture and Drawings_. The Chrysler Museum, Norfolk, VA, 1991. Page 86, #64.
Image scanned from slide. Color corrected by Pat Cagney.
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