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New photography by Ed Pollard captured with a digital camera-2008.
The Willing Captive
New photography by Ed Pollard captured with a digital camera-2008.
New photography by Ed Pollard captured with a digital camera-2008.

The Willing Captive

Artist Chauncey Bradley Ives (American, 1810 - 1894)
CultureAmerican
Datemodeled ca. 1862-68, carved 1871
MediumMarble
DimensionsOverall: 73 x 64 3/8 x 27 5/8 in. (185.4 x 163.5 x 70.2 cm)
InscribedInscribed on the base, at right:; C. B. IVES; FECIT; ROMÆ 1871
Credit LineGift of James H. Ricau and museum purchase
Object number86.480
On View
Chrysler Museum of Art, Gallery 211
Label TextChauncey Bradley Ives American, 1810—1894 The Willing Captive, modeled ca. 1862-68, carved 1871 Marble This imposing multi-figure composition was modeled in Rome where Chauncey Bradley Ives had maintained a studio since 1844. The subject presents an amalgam of colonial-era stories of conflict and exchange between settlers and Native Americans. Here, the young girl on the right must choose between her Euro-American mother kneeling on the left and her Native American husband. Though the sculpture appeals heavily to romantic sentiment typical of the Victorian period, the semi-nude figures demonstrate Ives’s thorough study of classical statuary and embrace of neoclassical style. Gift of James H. Ricau and Museum purchase 86.480 ProvenancePeter C. Cornell, Brooklyn, N.Y.; ...; West African missionaries, Pearl River, N.J.; James H. Ricau, Piermont, N.Y., by ca. 1983; Gift of James H. Ricau and Chrysler Museum of Art Purchase, 1986. Exhibition History"The Ricau Collection," The Chrysler Museum, Norfolk, Va., February 26 - April 23, 1989. Published ReferencesHenry T. Tuckerman, _Book of the Artists_ (New York: J. F. Carr, 1867), 583. "New Statue for Newark: Dr. J. Ackerman Coles's Generous Gift to the City," _Sentinel of Freedom_ (September 10, 1895), 8. William Todd, "Chauncey Bradley Ives, Sculptor," _Publications of the Hamden Historical Society_ (1938), 55. William H. Gerdts, "The Marble Savage," _Art in America_ 62 (July 1974): 68. Joy S. Kasson, _Marble Queens and Captives: Women in Nineteenth-Century American Sculpture_ (New Haven: Yale University Press, 1990), 98-100. ISBN: 0300045964 H. Nichols B. Clark, _A Marble Quarry: The James H. Ricau Collection of Sculpture at The Chrysler Museum of Art_ (New York: Hudson Hills Press, Inc., 1997), 107-109, no. 22. ISBN: 1555951317 Martha N. Hagood and Jefferson C. Harrison, _American Art at the Chrysler Museum: Selected Paintings, Sculpture, and Drawings_ (Norfolk, Va.: Chrysler Museum of Art, 2005), 78-79, no. 43. ISBN: 0-940744-71-6
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Chauncey Bradley Ives
modeled ca. 1880-82
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2010.
Adolphe-William Bouguereau
1862
New photography by Shannon Ruff captured with a digital camera-2007.
Chauncey Bradley Ives
Modeled 1871
New photography by Ed Pollard captured with a digital camera-2008.
Chauncey Bradley Ives
modeled 1864
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Chauncey Bradley Ives
19th century
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Chauncey Bradley Ives
modeled 1847, carved ca. 1851
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2015.
Chauncey Bradley Ives
ca. 1849
Photograph by Ed Pollard, Hasselblad H4D50 - 2016.
Joyce J. Scott
2006
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Chauncey Bradley Ives
modeled 1851, remodeled 1863
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2012.
Chauncey Bradley Ives
modeled 1852, carved 1853