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Image scanned and/or photographed, then color-corrected by Pat Cagney.
Puck
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Image scanned and/or photographed, then color-corrected by Pat Cagney.

Puck

Artist Harriet Goodhue Hosmer (American, 1830-1908)
CultureAmerican
Dateca. 1855-56
MediumMarble
DimensionsOverall: 30 7/8 x 15 1/2 x 19 3/4 in. (78.4 x 39.4 x 50.2 cm)
Credit LineGift of James H. Ricau and Museum purchase
Object number86.471
On View
Chrysler Museum of Art, Gallery 211
DescriptionWhite marble statue of Puck, a seated putti.

Label TextHarriet Goodhue Hosmer American, 1830–1908 Puck, modeled ca. 1855–56 Marble Will-o-the-Wisp, modeled ca. 1858 Marble For this pair of mythical imps, Harriet Hosmer carved bouquet-like bases to further engage and charm potential clients. Circle Will-o-the-Wisp and discover the swamp sprite’s lively forest friends. This statue and its pendant, the naughty Puck, would have brightened the corners of a tastefully decorated parlor. Though admired for her playful subjects, Hosmer was an ambitious and shrewd businesswoman. Like other American sculptors, she moved to Rome for easy access to cheap marble, skilled Italian assistants, and celebrity clients, including poets, actresses, and the Prince of Wales. Gift of James H. Ricau and Museum purchase 86.471 and 86.472ProvenanceLouis Joseph, Boston; James H. Ricau, Piermont, N.Y., by 1964; Gift of James H. Ricau and Museum Purchase, Chrysler Museum of Art, Norfolk, Va., 1986. Exhibition History"The Ricau Collection," The Chrysler Museum, Norfolk, Va., February 26 - April 23, 1989. "Rave Reviews: One Hundred Years of Great American Art," National Academy of Design, NYC, Sept. 20 - Dec. 31. 2000; Gilcrease Museum, Tulsa, Jan. 31 - Apr. 1, 2001; Indianapolis Museum, Apr. 21 - June 24, 2001. (Exhib. cat. 210-212). "Women of the Chrysler: a 400-Year Celebration of the Arts," Large Changing Gallery, Chrysler Museum of Art, Norfolk, Va., March 24 - July 18, 2010. Published ReferencesH. Nichols B. Clark. "Pairs of sculptures collected by James Ricau," _The Magazine Antiques_. November 1997, 700-705. H. Nichols B. Clark. _A Marble Quarry: The James H. Ricau Collection of Sculpture at the Chrysler Museum of Art_. New York: Hudson Hills Press, Inc. 1997: p. 218-220, ill. David B. Dearinger, Ed. _Rave Reviews: American Art and its Critics, 1826-1925_. New York: National Academy of Design. 2000: pp. 210-212. David B. Dearinger, Ed. "When Journalists Became Critics: The Birth of American Art Criticism." _Nineteenth Century_ 22, no. 1 Spring 2002: 9-18, 17 ill. Robert Rosenblum. "Painting and H. W. Janson, sculpture." _19th-Century Art_. Upper Saddle River, N.J.: Pearson Education, Inc., 2005, 339, fig. 328. ISBN: 0-13-189614-8, 0-13-189562-1
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2010.
Harriet Goodhue Hosmer
No Date
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2017.
Harriet Goodhue Hosmer
ca. 1858
Photograph by Ed Pollard, Canon EOS-1Ds Mark II digital slr-2010.
Harriet Cany Peale
ca. 1843-48
Image scanned and color-corrected by Pat Cagney.
Horatio Greenough
ca. 1840
New photography by Ed Pollard captured with a digital camera-2008.
William Henry Rinehart
ca. 1860s
New photography by Shannon Ruff captured with a digital camera-2008.
John McNamee
No Date
New photography by Ed Pollard captured with a digital camera-2008.
Thomas Crawford
1855
New photography by Shannon Ruff captured with a digital camera-2007.
Thomas Crawford
1855
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2011.
Thomas Crawford
modeled ca. 1850
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Chauncey Bradley Ives
modeled 1851, remodeled 1863
New photography by Shannon Ruff captured with a digital camera-2008.
Larkin Goldsmith Mead
1835-1910