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Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Ochsenkopfhumpen
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.

Ochsenkopfhumpen

Manufacturer Unknown
CultureFranconian (German) or Bohemia
Date1729
MediumBlown and enameled glass
DimensionsOverall: 8 15/16 in. (22.7 cm)
Overall, Rim: 4 3/16 in. (10.6 cm)
Base: 5 7/16 in. (13.8 cm)
InscribedDer Edle Fichtelberg: vier Ströhme läset fleißen aus seinen / hohen Schos, die alle Seiten küssen, der vier getheilten Welt: / die Eger osten ehrt. Nab, Süden. Nord, die Saal. West= / werts der Mayn sich kehrt. Die Eger und die Saal, / der Elb sich anvertrauen in Böhm und Sachßenland. / Nab kommt zur Wasser-frauen der Donau, dürch / die Pfaltz, Mayn fält in Rhein hinein, und senden/ und [sic] dafür: viel Früchte, Saltz und Wein. Johann Casimir Andreas Scheürmann Anno 1729 Mayn Eger Nab Saal. Translation: The noble Fichtelberg: four streams flow out from its high womb, kissing all sides of the divided-in-four-parts world: The Eger looks to the east, Naab, south, North, the Saale, west- wards veers the Main. The Eger and the Saale entrust themselves to the Elbe in Bohemia and Saxony. The Naab comes to the water nymphs of the Danube. Through the Palatinate (Pfalz), the Main falls into the Rhine, and sends us in return much fruit, salt, and wine. Johann Casimir Andreas Scheürmann Year 1729 Main Eger Naab Saale.
Credit LineGift of Dr. Eugen Grabscheid
Object number63.37.11
On View
Chrysler Museum of Art, Gallery 116-2, Case 13
DescriptionColorless blown, bubbly (mostly minute) glass Humpen (beaker). Double-walled foot ring made from the same gather. Enameled Fichterlberg Mountain, topped by a single dome church, oxhead against rocks, chain with lock, heads of animals, wolves, stags, boars & foxes and four rivers.

The Ochsenkopf (Ox’s Head) is one of the tallest peaks in the Fichtelberg mountain region in Germany, just outside Bayreuth in Bavaria, not too far from the Czech border. This region is the source of four rivers that flow in four different directions. These rivers are the subject of the inscription and are depicted on the vessel, flowing out of the tall green mountain. The Eger (now known mainly by its Czech name Ohre) flows east, the Naab flows south, the Saal (modern spelling Saale) flows north, and the Mayn (modern spelling Main) flows west. The Eger and Saal both eventually dump into the Elbe (the Eger goes through Karlovy Vary/Karlsbad and joins just north of Prague, while the Saale goes up through Jena and Halle to Magdeburg). The Naab goes south into the Danube by Regensburg, and the Main goes west through Bayreuth, Würzburg, and Frankfurt to join the Rhine at Mainz. Thus, the poem is praising the Ochsenkopf as a mountain that is the source of rivers which touch all four corners of the world (that is, German-speaking Europe), in essence saying that vast riches are flowing out of this rich-in-resources place. It is a type of Garden of Eden, and the cup and poem celebrate and take pride in its bounty. The name Fichtelberg comes from Fichte (pine tree), indicating that the region is known for its thick, rich forests, filled with animals and also a source of mineral wealth. Thus we have animals depicted on the Humpen, and the lock further symbolizes the bounty and wealth of this area. The precise purpose of such decorated beer glasses is not certain, but it is presumed that they are intended to help celebrate and toast the Fichtelberg region, thus making them objects of regional pride.
Published ReferencesA. Von Saldern, _German Enameled Glass_, pg. 182-190 & 392-399, ill. #102-107. Diane C. Wright (editor), _Glass: Masterworks from the Chrysler Museum of Art_ (Seattle: University of Washington Press, 2017), pg. 60-1.
New photography by Shannon Ruff captured with a digital camera-2008.
Unknown
18th century
New photography by Shannon Ruff captured with a digital camera-2007.
Unknown
18th century
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2012.
Hermon Atkins MacNeil
modeled 1898-1899, cast ca. 1925
New photography by Ed Pollard, digital slr-2009.
Louis Comfort Tiffany
ca. 1899-1900
Image scanned from a transparency and color-corrected by Pat Cagney.
Louis Comfort Tiffany
1915
New photography by Shannon Ruff captured with a digital camera-2007.
Ferdinand Liebermann
ca. 1900
New photography by Shannon Ruff captured with a digital camera-2007.
Unknown
1644-1912
New photography by Shannon Ruff captured with a digital camera-2007.
Unknown
618-906
New photography by Shannon Ruff captured with a digital camera-2007.
James Geddy
ca. 1790