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Image scanned from a transparency and color-corrected by Pat Cagney.
The Orphans
Image scanned from a transparency and color-corrected by Pat Cagney.
Image scanned from a transparency and color-corrected by Pat Cagney.

The Orphans

Artist Léon-Jean-Bazile Perrault (French, 1832 - 1908)
CultureFrench
Date1888
MediumOil on canvas
Dimensions42 3/4 × 31 in. (108.6 × 78.7 cm)
Overall, Frame: 50 5/8 × 38 1/2 × 2 1/2 in. (128.6 × 97.8 × 6.4 cm)
InscribedSigned and dated at LL: "L Perrault 1888"
Credit LineGift of Walter P. Chrysler, Jr.
Object number71.2062
On View
Chrysler Museum of Art, Gallery 102
DescriptionOil on canvas painting.

Label Textfar left Léon-Jean-Bazile Perrault French, 1832–1908 The Orphans, 1888 Oil on canvas Gift of Walter P. Chrysler, Jr. 71.2062 Hugues Merle French, 1823–1881 The Lunatic of Étretat, 1871 Oil on canvas Museum purchase with additional funds from Landmark Communications 2009.13 Compare these two paintings. Léon-Bazile Perrault’s seductive image of a beggar-girl holding a baby (at far left) continues a tradition of 19th-century realist art that stresses the plight of the poor and dispossessed. Hugues Merle mines the same tradition (seen here), yet he transforms the sentimental image into one of utter, even hysterical, despair. The woman’s face is a mask of suffering while she cradles, not a sleeping baby, but a wooden log! Is Merle’s “lunatic” mourning the loss of a child, or mad with longing for one? With no clear answer visible, we are left to ponder her fate. The figure’s anguish is a hallmark of Romanticism, a style that emphasized images of suffering, madness, and death. These images were often thinly veiled allusions to broader social suffering or political upheavals. For example, Merle painted The Lunatic in 1871, the same year that France lost the Franco-Prussian War. Could his dark image mirror the broader national mood of political loss and desolation? ProvenanceHirschl and Adler Galleries, Inc., New York, 1961. Gift of Walter P. Chrysler, Jr., to the Chrysler Museum of Art, Norfolk, 1971.Exhibition History"Behind the Seen: The Chrysler's Hidden Museum," Large Changing Gallery, Chrysler Museum of Art, Norfolk, Va., October 21, 2005 - February 19, 2006.
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2009.
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Scanned from a transparency, then color corrected by Pat Cagney.
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4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2016.
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