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New photography by Pat Cagney captured with a digital camera.
Lion Crushing a Serpent
New photography by Pat Cagney captured with a digital camera.
New photography by Pat Cagney captured with a digital camera.

Lion Crushing a Serpent

Artist Antoine-Louis Barye (French, 1796-1875)
CultureFrench
Datecast ca. 1855
MediumBronze
Dimensions19 1/2 x 27 x 14 1/2 in. (49.5 x 68.6 x 36.8 cm)
Credit LineGift of Walter P. Chrysler, Jr.
Object number71.2626
On View
Chrysler Museum of Art, Gallery 214
DescriptionBronze sculpture of a lion and a serpent.

Label TextAntoine-Louis Barye French, 1796–1875 Lion Crushing a Serpent, cast ca. 1855 Bronze It’s easy to imagine a mighty lion attacking an impala, boar, or zebra. But a snake? While Antoine-Louis Barye’s subject may seem unlikely, it had clear political resonance for contemporary Frenchmen. The work is an allegory of the July Revolution of King Louis Philippe, which occurred from July 27 to 29, 1830—dates that fell under the constellations of Leo the lion and Hydra the serpent. The image of a lion—symbolic of French royal strength and courage—subduing a venomous enemy of the crown appealed to the new king, who ordered a large version for the Tuileries Gardens in Paris. Despite such claims to power, the king became unpopular and was overthrown in another revolution in 1848. Gift of Walter P. Chrysler, Jr. 71.2626 Exhibition History"Behind the Seen: The Chrysler's Hidden Museum," Large Changing Gallery, Chrysler Museum of Art, Norfolk, Va., October 21, 2005 - February 19, 2006. "Reopening of the Joan P. Brock Galleries," Chrysler Museum of Art, Norfolk, Va., Opening in March of 2008.
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Antoine-Louis Barye
19th century
New photography by Pat Cagney captured with a digital camera.
Antoine-Louis Barye
modeled 1836, cast ca. 1876
New photography by Pat Cagney captured with a digital camera.
Antoine-Louis Barye
No Date
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Antoine-Louis Barye
No Date
Image scanned/or photographed from transparency and color corrected by Pat Cagney.
Antoine Coysevox
after 1702
Image scanned/or photographed from transparency and color corrected by Pat Cagney.
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after 1702
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Emile-Antoine Bourdelle
1898
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Paul Wayland Bartlett
ca. 1909
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Louis Antoine Drouard
ca. 1800