The Discovery of Achilles Among the Daughters of Lycomedes
ArtistCircle of
Francesco Primaticcio
(Italian, 1504-1570)
CultureItalian
Dateca. 1560
MediumOil on panel
DimensionsOverall: 52 1/4 x 67 1/2 in. (132.7 x 171.5 cm)
Overall, Frame: 65 1/8 x 80 x 4 3/4 in. (165.4 x 203.2 x 12.1 cm)
Overall, Frame: 65 1/8 x 80 x 4 3/4 in. (165.4 x 203.2 x 12.1 cm)
Credit LineGift of Walter P. Chrysler, Jr.
Object number71.691
Collections
On View
Chrysler Museum of Art, Gallery 203
Label TextCircle of Francesco Primaticcio Italian, 1504–1570 The Discovery of Achilles Among the Daughters of Lycomedes, ca. 1560 Oil on wood Where is Achilles in this jostling mass of figures? The very fact that the hero is hard to identify highlights a major feature of Mannerism, a style that rejected the order and clarity of High Renaissance art. Instead, this painting uses an unnatural palette of greys, pinks, and gold to create a busy arrangement of oddly posed and foreshortened figures. You may wonder which is more important here—Achilles and his story or the painter’s desire to showcase his own inventive style. If you’re still looking for the hero, he’s the one brandishing the sword in the left background. Gift of Walter P. Chrysler, Jr. 71.691 Exhibition History"Italy at the Court of France: Primaticcio, Master of Fontainebleau, 1504-1570," Louvre, Paris, France, September 25, 2004 - January 3, 2005; "Primaticcio: Un bolognese alla corte di Francia," Palazzo de Re Enzo e del Podestá, Bologna, Italy, January 30 - April 10, 2005. Published ReferencesVittoria Romani, _Primaticcio, Un bolognese alla corte di Francia_, exh. cat., Palazzo di Re Enzo e del Podestà, Bologna, Italy, 2005, 264-265, plate 98.
W. L. Libbey & Son, New England Glass Works
Lemonade Glass (Etched With "The Departure Of Briseis From The Tent Of Achilles" After John Flaxman)
1884
Gioacchino Giuseppe Serangeli
ca. 1799