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New photography by Ed Pollard captured with a digital camera-2007.
Sculpture, Arithmetic, and Architecture
New photography by Ed Pollard captured with a digital camera-2007.
New photography by Ed Pollard captured with a digital camera-2007.

Sculpture, Arithmetic, and Architecture

Artist Francesco Bertos (Italian, 1678 - 1741)
CultureItalian
Dateca. 1710
MediumBronze
Dimensions42 x 22 x 19 in. (106.7 x 55.9 x 48.3 cm)
Base: 20 5/8 x 18 1/2 in. (52.4 x 47 cm)
Credit LineGift of Walter P. Chrysler, Jr.
Object number71.2609
On View
Chrysler Museum of Art, Gallery 205
DescriptionFigures at the base of this bronze sculpture are in the act of sculpting. A centaur is the center focus, rearing atop a pedestal. He upholds a female figure, probably the personification of Sculpture itself. An interplay of creator and creation is apparent in this sculpture.

Label TextFrancesco Bertos Italian, 1678–1735 Sculpture, Arithmetic, and Architecture, ca. 1710 Bronze Like daredevil acrobats in the Cirque du Soleil, the figures in Francesco Bertos’ sculptures balance themselves atop one another in dizzying displays that draw the eye up and around in broad spirals. These breathtakingly complex works originally served as table centerpieces and were meant to be viewed from all sides. Their subjects are equally complex. Using the witty, allegorical language so beloved by Baroque artists, Bertos celebrates the arts of Sculpture, Arithmetic, and Architecture (behind you) and Painting and Music (behind you, at right). In the process, he gives shape to the intricate interplay of aesthetic ideals and human endeavor needed to bring those arts to fruition and lift them to the pinnacle of creative perfection. Gift of Walter P. Chrysler, Jr. 71.2609 ProvenanceMr. Lionel Harris; Walter P. Chrysler, Jr.; Gift of Walter P. Chrysler, Jr. to the Chrysler Museum, 1971. Exhibition History"Large or Small, Bronze or Wood, Painted or Plain: Problems and Solutions in Sculpture," The Chrysler Museum, Norfolk, VA, July 9 - Sept. 13, 1981. (Exhib. cat. p. 18). "Masterworks from the Chrysler Museum," North Carolina Museum of Art, Raleigh, NC, April 9, 2013 - February 2, 2014. Published ReferencesW.L. Hildburgh. "Some Bronze Groups by Francesco Bertos," _Apollo_. XXVII. London: The Field Press Ltd. 02/1938:pp. 81-85, figs. IV and V. David W. Steadman. _Large or Small, Bronze or Wood, Painted or Plain: Problems and Solutions in Sculpture_. The Chrysler Museum, Norfolk, VA. 1981: p. 18 (SCULPTURE illustrated). Chrysler Museum. _Selections from the Permanent Collection: The Chrysler Museum_. Norfolk, VA: Chrysler Museum of Art. 1982: p. 44. Jefferson C. Harrison _The Chrysler Museum Handbook of the European and American Collections: Selected Paintings, Sculpture and Drawings_. The Chrysler Museum, Norfolk, VA, 1991, p. 64-65, #49.
New photography by Ed Pollard captured with a digital camera-2007.
Francesco Bertos
ca. 1710
Image scanned/or photographed from transparency and color corrected by Pat Cagney.
Antoine Coysevox
after 1702
35mm slide scanned by Ed Pollard-2009. Photo by Scott Wolf.
Francesco Mochi
ca. 1625
Image scanned/or photographed from transparency and color corrected by Pat Cagney.
Antoine Coysevox
after 1702
Image scanned and/or photographed, then color-corrected by Pat Cagney.
Frederick William MacMonnies
modeled ca. 1906-07, cast by 1918
New photography by Shannon Ruff captured with a digital camera-2008.
Francesco Fanelli Circle
17th century
35mm slide scanned by Ed Pollard-2009. Photo by Scott Wolf.
Francesco Mochi
ca. 1625
Image scanned from a transparency and color-corrected by Pat Cagney.
Giovanni Francesco Barbieri (Guercino)
ca. 1625-26
New photography by Shannon Ruff captured with a digital camera-2006.
Lucio Bubacco
1992
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2012.
Alexander Archipenko
1914