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Image scanned from a transparency and color-corrected by Pat Cagney.
Three Major Races
Image scanned from a transparency and color-corrected by Pat Cagney.
Image scanned from a transparency and color-corrected by Pat Cagney.

Three Major Races

Artist Nancy Burson (American, b. 1948)
CultureAmerican
Date1982
MediumGelatin silver print
DimensionsOverall, Image: 9 × 8 1/4 in. (22.9 × 21 cm)
Overall, Support: 11 × 13 3/8 in. (27.9 × 34 cm)
Overall, Mat: 16 × 20 in. (40.6 × 50.8 cm)
Credit LineGift of Decipher, Inc.
Object number95.5
Not on view
DescriptionThis is a composition of the faces of an Asian, a Caucasian, and an African American.

Label TextNancy Burson (with Richard Carling and David Kramlich) American (b. 1948) Three Major Races, 1982 Gelatin-silver print Gift of Decipher, Inc. 95.5 In the late 1960s, Nancy Burson resolved to create a machine that would document the aging process. After nearly a decade of significant progress in the computer engineering field, Burson and scientist Thomas D. Schneider received a United States patent for the age machine process that has been since used by the Federal Bureau of Investigation to “age” missing persons and construct suspect sketches. Since 1982, Burson and MIT engineers David Kramlich and Richard Carling have advanced this process to produce hybrid portraits that are often politically motivated, occasionally humorous, and always provocative. In this work, Burson combined the faces of three men—an Asian, a Caucasian, and an African-American—into a single image. The resulting portrait is a composite image of a “universal” human, a depiction of no one and everyone. Nearly twenty years later, when the 2000 United States Census Bureau first included expanded racial designations, 6.8 million Americans identified themselves as multiracial. Exhibition History"The Computerized Image," The Chrysler Museum, Norfolk, Va., October 4, 1986 - January 4, 1987. "Photography Speaks II: 70 Photographers on Their Art from The Chrysler Museum Collection," The Chrysler Museum of Art, Norfolk, Va., November 11, 1995 - March 31, 1996. "Venus and Adonis: Aspects of the Figurative Ideal in 19th- and 20th-Century Art," The Chrysler Museum of Art, Norfolk, Va., July 13 - November 3, 1996. "Silver Images: The Photography Collection at 25," Alice R. and Sol B. Frank Photo Galleries, Chrysler Museum of Art, Norfolk, Va., November 5, 2003 - August 2004. "Women of the Chrysler: a 400-Year Celebration of the Arts," Large Changing Gallery, Chrysler Museum of Art, Norfolk, Va., March 24 - July 18, 2010. "Remix: A Fresh Look At Our Modern And Contemporary Art Collections," Chrysler Museum of Art, Norfolk, Virginia, November 2, 2011 - March 17, 2012.Published ReferencesBrooks Johnson, _Photography Speaks II: From The Chrysler Museum Collection, 70 Photographers On Their Art_ (Aperture/The Chrysler Museum of Art, 1995), 128-129.