Mario Amaya
Artist
Robert Mapplethorpe
(American, 1946 - 1989)
Date1978
MediumGelatin silver print
DimensionsOverall, Image: 14 × 13 15/16 in. (35.6 × 35.4 cm)
Overall: 19 15/16 × 15 7/8 in. (50.6 × 40.3 cm)
Overall, Mat: 28 × 24 in. (71.1 × 61 cm)
Overall: 19 15/16 × 15 7/8 in. (50.6 × 40.3 cm)
Overall, Mat: 28 × 24 in. (71.1 × 61 cm)
ClassificationsPhotography
Credit LineGift of the Robert Mapplethorpe Foundation
Object number2007.9
Terms
- Portrait
- Man
- Black
- White
On View
Not on viewLabel TextRobert Mapplethorpe American (1946-1989) Mario Amaya, 1978 Gelatin-silver print Gift of the Robert Mapplethorpe Foundation 2007.9 © Robert Mapplethorpe Foundation Mapplethorpe studied drawing and painting before experimenting with a Polaroid camera in the early 1970s. Many of his first photographs, which are portraits of his artist and socialite friends, were taken in a style similar to that of Andy Warhol, whose work he admired. His attention to the formal elements of composition and contrast is evident in his flower arrangements and nudes, as well as in his more confrontational depictions of eroticism and male sexuality. Despite the controversial nature of much of his work, Mapplethorpe has earned a place in the history of photography as a master of the classically inspired portrait. Mapplethorpe's first museum exhibition and the publication of his first catalogue took place at the Chrysler Museum in 1978. The person responsible for that coup was the Chrysler's director, Mario Amaya. This portrait of Amaya was made during the same year, most likely around the time of the exhibition. It represents a bit of Chrysler history as well as being an elegantly composed and beautifully executed portrait.
Préfecture de Police de Paris, Service de l'Identité Judiciaire
July 1910