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Image Not Available for Five Views of a Lime Silo in Duisburg-Ruhrort
Five Views of a Lime Silo in Duisburg-Ruhrort
Image Not Available for Five Views of a Lime Silo in Duisburg-Ruhrort

Five Views of a Lime Silo in Duisburg-Ruhrort

Artist Bernd Becher (German, 1931 - 2007)
Artist Hilla Becher (German, 1934 - 2015)
Art Collective Bernd and Hilla Becher (German, established 1959)
CultureGerman
Date1972
MediumLeporello with five offset prints
DimensionsOverall, Image (each image): 15 3/4 × 11 13/16 in. (40 × 30 cm)
Overall, Support (each page): 20 1/16 × 13 3/4 in. (51 × 35 cm)
SignedSigned, graphite at lower right of first image: Bernhard Becher Hilla Becher Verso first panel, center, inscription black ink, letterpress German: 5 Ansichten eines Kalksilos in Duisburg-Ruhrort
Portfolio76/85
Credit LineMuseum purchase, in memory of Alice R. and Sol B. Frank
Object number2019.10
Not on view
DescriptionBlack and white photographs of an industrial lime silo in 5 states of ruin and disrepair. The photographs’ simplicity suggests the clarity of an engineering diagram while the photographic richness and typological arrangement suggests the specificity of each particular place. The works also suggest a fleeting nature of industrial architecture while pointing out their enduring environmental impact.
Label TextBernd and Hilla Becher, German (active 1959–2007) Bernd Becher, German, 1931–2007 Hilla Becher, German, 1934–2015 Five Views of a Lime Silo in Duisburg Ruhrort, 1972 Leporello with five offset prints The German artists Bernd and Hilla Becher are best known for photographic series that depict water towers, furnaces, silos, and other industrial relics. As Hilla Becher said, “By placing several…side by side something happened, something like tonal music; you don’t see what makes the objects different until you bring them together, so subtle are their differences.” The works also suggest the fleeting nature of industry while pointing out its enduring environmental impact. As Bernd Becher said, “I became aware that these buildings were a kind of nomadic architecture which had a comparatively short life—maybe 100 years, often less, then they disappear. It seemed important to keep them in some way.” Museum purchase 2019.10Exhibition History"5 Years of Photography: Building the Chrysler Collection," Photography & Focus Galleries, Chrysler Museum of Art, Norfolk, VA, June 26 - November 10, 2019.
New photography by Shannon Ruff captured with a digital camera-2006.
Unknown
late 19th century
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2010.
William Merritt Chase
ca. 1914
Image scanned from a transparency and color-corrected by Pat Cagney.
Nancy Haynes
1991
New photography by Shannon Ruff captured with a digital camera-2006.
Unknown
18th century
Photograph by Ed Pollard, Hasselblad H4D50 - 2012.
Naddo Ceccarelli
ca. 1339-1347
New photography by Shannon Ruff captured with a digital camera-2006.
Zecchin-Martinuzzi Vetri Artistici e Mosaici
ca. 1930s
New photography by Shannon Ruff captured with a digital camera-2006.
Unknown
18th century
New photography by Shannon Ruff captured with a digital camera-2006.
late 16th - early 17th century
Photograph by Ed Pollard, Hasselblad H4D50MS - 2011.
Stuart Davis
1927