Portrait of Lucy Lee-Robbins
Artist
Emile Auguste Carolus-Duran
(French, 1838-1917)
CultureFrench
Date1884
MediumOil on canvas
Dimensions66 3/4 x 48 in. (169.5 x 121.9 cm)
Overall, Frame: 80 5/8 x 63 1/4 x 3 3/8 in. (204.8 x 160.7 x 8.6 cm)
Overall, Frame: 80 5/8 x 63 1/4 x 3 3/8 in. (204.8 x 160.7 x 8.6 cm)
InscribedSigned and dated "1884".
Credit LineGift of Walter P. Chrysler, Jr.
Object number71.627
Collections
On View
Chrysler Museum of Art, Gallery 218
Label TextEmile Auguste Carolus-Duran French, 1838–1917 Portrait of Lucy Lee-Robbins, 1884 Oil on canvas Try tilting your head as far to the side as this sitter. The flamboyant gesture is hard to hold for long, suggesting Lucy Lee-Robbins’ unconventional spirit. Born in America, Lee-Robins moved from New York to France when she was an infant. Determined to become a painter, she enrolled in a private art school run by Carolus-Duran in 1880. His portrait of Lee-Robins radiates a confident informality rarely seen in grand portraits at the time. The pose, direct gaze, and subtle details—like the glimpse of red lining, an extended ankle, and a fallen pink flower petal—convey the energy and self-assurance of this independent young woman. Gift of Walter P. Chrysler, Jr. 71.627 Exhibition History"The Controversial Century, 1850-1950, Paintings from the Collection of Walter P. Chrysler, Jr.," Provincetown, MA, June 16 - Sept. 3, 1962; National Gallery of Canada, Ottawa, Sept. 28 - Nov. 4, 1962. (Exh. cat. not paged). "High Society: Portraits of the American Gilded Age," Bucerius Kunst Forum, Hamburg, Germany, June 7 - August 31, 2008. Published ReferencesCharles F. Comfort and William S.A. Dale, _The Controversial Century: 1850-1950_, exh. cat., Chrysler Art Museum of Provincetown, Provincetown, Mass., 1962 Brandon Brame Fortune, "Not above Reproach, the Career of Lucy Lee-Robbins," _American Art_. Washington, DC: Smithsonian Institution, 1998, 40-65 Westheider, Ortrud and Michael Philipp, High Society: American Portraits of the Gilded Age, exh. cat., Hamburg: Bucerius Kunst Forum Publications, 2008, p. 113