Massacre of the Innocents
Artist
Marco Dente
ArtistAfter
Baccio Bandinelli
(Italian, 1488-1560)
Artist
Antoine Lafréry
(French, 1512 - 1577)
Date1520
MediumEngraving
DimensionsOverall, Sheet: 15 7/8 x 22 3/16 in. (40.3 x 56.4 cm)
Overall, Mat: 23 1/16 × 29 5/8 in. (58.6 × 75.2 cm)
Overall, Mat: 25 15/16 × 32 in. (65.9 × 81.3 cm)
Overall, Mat: 23 1/16 × 29 5/8 in. (58.6 × 75.2 cm)
Overall, Mat: 25 15/16 × 32 in. (65.9 × 81.3 cm)
ClassificationsEuropean art
Credit LineMuseum purchase, Walter P. Chrysler, Jr. Art Purchase Fund
Object number2001.17
Terms
- infants
- Murder
- Women
- Children
- Men
- Christ child
- Black
- White
- Renaissance
- Classicism
On View
Not on viewLabel TextMarco Dente Italian (active 1515- d. 1527) After Baccio Bandinelli Italian (ca. 1493-1560) Massacre of the Innocents, 1520 Engraving Museum purchase, 2001.17 Focusing on the antique nude in complex motion, Bandinelli's dramatic, multi-figure composition is a premier example of Roman High Renaissance classicism-the revolutionary style championed by Michelangelo and Raphael in the early 16th century, and a style that Bandinelli quickly mastered. The engraving depicts the moment told in the Gospels when King Herod, having learned that a child had been born who would become King of the Jews, directed his soldiers to kill all Jewish infants under the age of two in a vain attempt to destroy the Christ Child. Bandinelli envisions the moment as a violent struggle between soldiers and mothers that unfolds in a classical courtyard. The print is composed of two sheets of paper, each pulled from a separate copper plate, and joined vertically just left of the image's central axis. Large, "royal-size" prints like this one were expensive purchases. Indeed, Massacre of the Innocents cost one lira to buy in 16th-century Rome-about twelve times the price of an ordinary print and the equivalent of a month's wages for an Italian laborer. Edited By: DS Edited Date: 08/2005 Approved By: MHM Approval Date: 10/12/2005