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4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2012.
Punch Bowl with Gilt-Silver Stand
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2012.
4x5 transparency scanned on Hasselblad Flextight X1 by Ed Pollard-2012.

Punch Bowl with Gilt-Silver Stand

Manufacturer T.G. Hawkes & Co. (glass) (American, 1880 - 1962)
Manufacturer Gorham Manufacturing Company (silver) (American, founded 1831)
CultureAmerican
Date1904
MediumBlown and engraved glass, with gilt silver stand
DimensionsOverall: 10 3/4 in. (27.3 cm)
Overall, Rim: 13 3/4 in. (34.9 cm)
Base: 11 1/2 in. (29.2 cm)
MarkingsShamrock enclosing two hawks and fleur-de-lis / “hawkes,” acid-etched on underside of bowl; lion in octagon, anchor in shield, gothic G in octagon / “sterling” / _A and lyre, incised on underside of stand
Credit LineGift of Walter P. Chrysler, Jr.
Object number85.133
On View
Chrysler Museum of Art, Gallery 116-6, Case 39
DescriptionPunch bowl of blown lead glass; and gold-plated sterling stand.
BOWL: Of blown colorless glass. Rock crystal style engraved art nouveau poppy design. Scalloped rim of six wide and six smaller ones. Plain round peg bottom. Two or three minor nicks on rim of glass bowl. STAND: Engraved gold-plated sterling stand with short stem and repose effect die stamped hexagonal protruding feet. Design matched the engraved glass.

Label TextT.G. Hawkes & Co. American (1880-1962) Punch bowl with gilt-silver stand, 1904 Blown lead glass, engraved, gilt-silver sterling stand Gift of Walter P. Chrysler, Jr. 85.133 Brilliant-cut glass (sometimes called rich cut) was fashionable in America from around 1880 to 1920. During these years, the United States population increased by about 120 million people. Retailers and manufactuerers started to cater to a rising middle class market. Rich cut glassware was an achievable luxury item for the middle class and a popular choice as a wedding gift. This punch bowl was fitted with a gilt-silver stand by Gorham Manufacturing Company--a far more costly alternative than a matching glass pedestal foot. Added by: AGMPublished ReferencesJane Shadel Spillman, THE AMERICAN CUT GLASS INDUSTRY: T.G. HAWKES AND HIS COMPETITORS (Corning, NY: The Corning Museum of Glass, 1996), Fig. 2-9 (b/w ill.) p. 48. Diane C. Wright (editor), _Glass Masterworks from the Chrysler Museum of Art_, (Seattle: University of Washington Press, 2017), pg. 120-121.
New photography by Shannon Ruff captured with a digital camera-2006.
Reed and Barton
ca. 1875-1890
New photography by Shannon Ruff captured with a digital camera-2006.
T.G. Hawkes & Co.
ca. 1965
Photograph by Ed Pollard, Hasselblad H4D50 - 2024.
18th century
New photography by Shannon Ruff captured with a digital camera-2006.
T.G. Hawkes & Co.
ca. 1950
New photography by Shannon Ruff captured with a digital camera-2006.
Unknown
ca.1900-1910
New photography by Shannon Ruff captured with a digital camera-2006.
Unknown
late 19th century
New photography by Shannon Ruff captured with a digital camera-2006.
T.G. Hawkes & Co.
ca. 1890
New photography by Shannon Ruff captured with a digital camera-2006.
Unknown
late 19th century
Photograph by Ed Pollard, Sony a7R II 2021.
late 19th-early 20th c.
New photography by Shannon Ruff captured with a digital camera-2006.
Unknown
ca. 1825-1833
New photography by Shannon Ruff captured with a digital camera-2006.
A. H. Heisey and Co.
ca. 1930-1950