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Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Artillery, Corporal
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.

Artillery, Corporal

Artist Oliver Harvey Willard (American, 1828 - 1875)
CultureAmerican
Date1866
MediumAlbumen print with watercolor
DimensionsOverall, Image: 7 15/16 × 5 3/4 in. (20.2 × 14.6 cm)
Overall, Support: 13 1/8 × 10 3/16 in. (33.3 × 25.9 cm)
Overall, Mat: 16 × 13 in. (40.6 × 33 cm)
InscribedTitle inscribed below the photographic print on the mount by hand in ink. Has the inscription “x1055.”
PortfolioPart of a group of at least 43 images printed from wet plate collodion negatives, a commission from the U.S. Army Quartermaster General’s office to record and commemorate the variety of uniforms employed during the Civil War.
Credit LineMuseum purchase
Object number2015.13.2
On View
Not on view
DescriptionVintage albumen photographic print, created in 1866 from a wet collodion negative and hand-tinted with watercolor. Roughly 8 x 6 inches in size and affixed to original mounts: board roughly 13 x 10 inches in size, with gold coloring to the upper, right, and lower edges of each board. Torn paper on the left side of board, along with the gilt edges, suggests that it was originally bound in a group. Title inscribed below the photographic print on the mount by hand in ink. Also bears the graphite inscription “x1032” in the recto lower center of the mount, and Infantry.
Label TextOliver Harvey Willard American, 1828–1875 left to right Engineer, First Sergeant, 1866 Albumen print (photograph) with watercolor Artillery, Corporal, 1866 Albumen print (photograph) with watercolor Infantry, Sergeant, 1866 Albumen print (photograph) with watercolor These images are an example of how early photographs mingled scientific and artistic ambitions. Though they appear to be straightforward records of the uniforms used by the Union Army during the Civil War, they also display the artist’s theatrical flair. The same model strikes a different pose in each photograph, performing for the camera the roles marked by the specific uniforms. These prints were also handtinted using watercolor, adding distinctive touches that further illuminate Oliver Harvey Willard’s artistic approach. Gift of Charles Isaacs and Carol Nigro, in honor of Brooks Johnson, Chrysler Museum of Art Curator of Photography, 1977–2008 2015.13.1 Museum purchase 2015.13.2–.3 ProvenancePurchased from Charles Isaacs Photographs, Inc., by Chrysler Museum of Art, September 2015.Exhibition History"5 Years of Photography: Building the Chrysler Collection," Photography & Focus Galleries, Chrysler Museum of Art, Norfolk, VA, June 26 - November 10, 2019.
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Oliver Harvey Willard
1866
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Oliver Harvey Willard
1866
Photograph by Ed Pollard, Hasselblad H4D50 - 2014.
Margaret Foley
1875
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Louis-Maurice Boutet de Monvel
1880
Color corrected by Pat Cagney.
Oliver Harvey Willard
ca. 1854-1857
Photograph by Ed Pollard, Hasselblad H4D50 - 2014.
Manierre Dawson
1911
Photograph by Ed Pollard, Hasselblad H4D50 - 2017.
Andreas Rentsch
2009
Photograph by Ed Pollard, Hasselblad H4D50 - 2017.
Andreas Rentsch
2008
Photograph by Ed Pollard, Hasselblad H4D50 - 2015.
Nathan Weston Pease
ca. 1870
Photograph by Ed Pollard, Hasselblad H4D50 - 2016.
Charles Schreyvogel
1903